Josephine Halvorson

Josephine Halvorson, Fire, 2019, five plate aquatint etching with dry point, soft ground, spit bite and sugar lift, 25.25 x 28.75 inches, edition of 20

Josephine Halvorson makes paintinga on-site, face to face with an object in its environment. Often no more than an arm’s length away, she detects variations in texture, light, and temperature, transcribing these perceptions through the medium of paint. The result is an intimate portrait of the object, capturing both a natural likeness as well as the often unseen or overlooked character of her chosen subject.

Fire, 2019 is Halvorson’s first etching, and is a life-size depiction of the wood stove at Wingate Studio. The project began in fall of 2018, and as it continued through the winter and then spring, the stove served as the live model while keeping everyone warm as they worked. As the project progressed, the artist came to understand that it was impossible to fix light and flame especially through this deliberate medium. She asked, “how does one take something that’s changing and transforming before them and give it form through process?” Halvorson watched the work evolve as it took on a life of its own. The facade of the stove morphed, at times appearing like a map of the world, a landscape, or neoclassical architecture. She found a rhythm in making a decision, proofing and seeing how it appears, and deciding where to go next, while maintaining the vitality of the moment through participatory observation. The artist has said that some of the most important experiences in her life have been brief, even lasting a second. The intimacy and life-size scale of this portrait gives the viewer the experience of an encounter with an object that, like most of the peripheral or minor stuff of life, has a bigger story to tell.

In the studio

Halvorson holds a BFA from The Cooper Union (2003) and an MFA from Columbia University (2007). She is the recipient of a Fulbright Fellowship to Vienna (2003 – 4), a Louis Comfort Tiffany Foundation Grant (2009), and was a fellow at the French Academy in Rome (2014 – 15). This fall, her work is on view at The Institute of Contemporary Art in Boston as part of The James and Audrey Foster Prize Exhibition.

Halvorson’s work has appeared in many solo and group exhibitions throughout the United States, Europe, and Asia. This past spring, Halvorson made a body of work in Matanzas, Cuba which was exhibited a part of the Havana Biennial. In 2016, she exhibited large scale sculptures at Storm King Art Center and in 2015 had her first museum survey exhibition, “Slow Burn” at the Southeastern Center for Contemporary Art in Winston-Salem, NC. Her work is represented by Sikkema Jenkins and Co. in New York and has been written about widely in a variety of art publications.

Halvorson is also a teacher and holds the position of Professor of Art and Chair of Graduate Studies in Painting at Boston University. She has also taught at the Skowhegan school of painting and sculpture (2018), Yale University school of art (2010-2016), Paint School (2018), among many other institutions