Walton Ford

Pestvogel, 2016, six color aquatint etching with hard ground, soft ground, spit bite, sugar lift, and drypoint, plate size 28 x 22 inches, paper size 40 x 30.75 inches, edition of 65, published by Kasmin Editions, printed by Wingate Studio

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Press Release

Pestvogel is the 13th collaborative print between artist Walton Ford and Wingate Studio.

The print depicts a small flock of Bohemian waxwings gorging on blackberries as a battle rages in the background. Waxwings are fruit-eating Eurasian perching birds. “Periodically waxwings break out from their boreal confines and undertake massive, sometimes continent- wide migrations…Such was the impact of these sudden, inexplicable arrivals that Bohemian Waxwings were once loaded with sinister import…Old names for the species included Pestvogel (‘plague-bird’) which is still the bird’s name in Dutch, as well as unglückvogel, pestilenzvogel, and todtenvogel in German-speaking areas (respectively, ‘disaster-bird’, ‘pestilence-bird’ and ‘death bird’). A widely recorded waxwing invasion during the winter of 1913/14 was later assumed to be a foreboding omen for the calamity that ensued the following summer – the First World War” (Cocker, Mark. Birds and People. London: Jonathan Cape, 2013, p 407).

Such violent and bizarre moments at the intersection of human culture and the natural world are the subject of much of Ford’s work. To quote the artist, “In this print I imagined what
kind of imagery could accompany this fantastic belief, the idea that a small songbird could be responsible for a world war. Some of my work is a literal exploration in these kinds of fears and superstitions.”

Wingate Studio is based in the Connecticut River Valley, and under directors Peter Pettengill, James Pettengill, and Alyssa Robb, the Studio produces and publishes printed editions, books, and special projects with contemporary artists. Peter Pettengill and Walton Ford have been working together for nearly 20 years.

Nantes, 2009, two plate aquatint etching with dry point, hard ground, and spit bite, plate size 40 x 30 inches, paper size 48 x 37 inches, edition of 65, published by Kasmin Editions, printed by Wingate Studio

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Limed Blossoms, 2007, six plate aquatint etching with dry point, hard ground, soft ground, spit bite and sugar lift, plate size 12 x 9 inches, paper size 18.5 x 14 inches, edition of 100, published by Taschen, Printed by Wingate Studio

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Condemned, 2007, six plate aquatint etching with dry point, hard ground, soft ground, spit bite and sugar lift, plate size 12 x 9 inches, paper size 21.5 x 16 inches, edition of 75, published by Kasmin Editions, printed by Wingate Studio

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Bangalore, 2004, six plate aquatint etching with dry point, hard ground, soft ground, spit bite and sugar lift, plate size 12 x 9 inches, paper size 21.5 x 16 inches, edition of 75, published by Kasmin Editions, printed by Wingate Studio

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Dying Words, 2005, six plate aquatint etching with dry point, hard ground, soft ground, spit bite and sugar lift, plate size 14 x 18 inches, paper size 22.5 x 30 inches, edition of 75

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Visitation, 2004, six plate aquatint etching with dry point, hard ground, soft ground, spit bite and sugar lift, plate size 36 x 24 inches, paper size 44 x 31 inches, edition of 50

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Benjamin’s Emblem, 2004, six plate aquatint etching with dry point, hard ground, soft ground, spit bite and sugar lift, plate size 36 x 24 inches, paper size 44 x 31 inches, edition of 50

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Compromised, 2003, six plate aquatint etching with dry point, hard ground, soft ground, spit bite and sugar lift, plate size 36 x 24 inches, paper size 44 x 31 inches, edition of 50

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The Tale of Johnny Nutkin, 2001, six plate aquatint etching with dry point, hard ground, soft ground, spit bite and sugar lift, plate size 36 x 24 inches, paper size 44 x 31 inches, edition of 50

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La Historia Me Absolvera, 1999, six plate aquatint etching with dry point, hard ground, soft ground, spit bite and sugar lift, plate size 36 x 24 inches, paper size 44 x 31 inches, edition of 50

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Swadeshi-cide, 1998-99, six plate aquatint etching with dry point, hard ground, soft ground, spit bite and sugar lift, plate size 36 x 24 inches, paper size 44 x 31 inches, edition of 50

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In the studio

photograph by Alyssa Robb for Wingate Studio

Walton Ford lives and works in New York, NY, and his work is included in a number of private and public collections, including the Minneapolis Institute of Art, Smithsonian American Art Museum, Whitney Museum of American Art, and many others. Ford’s midcareer retrospective traveled from the Hamburger Bahnhof Museum Fur Gegenwart (Berlin), to the Albertina (Vienna) and to the Louisiana Museum of Modern Art (Denmark) in 2010-11. Ford was recently the subject of a solo exhibitions at Gagosian Gallery (Los Angeles, CA) and the Musée de la Chasse (Paris). Taschen has issued three editions of his large-format monograph, Pancha Tantra.